That included being able to get close to the calving glaciers the ice hitting the water can create a tsunami. As soon as they began to unpack their equipment, “it started that second,” said Kossakovsky. The filmmakers arrived in Greenland prepared to shoot giant glaciers ready to fall apart, but were warned they might have to wait two months for anything to happen. For us, it’s about climate change, but the film could potentially reach a very different audience who would be going to see a film about the power of nature, which comes across in a visceral, emotional way. There’s virtually no people and 12 lines of dialogue in the entire film. I could see it would be an immersive approach to the subject. “Whoa, this is incredible!” said Participant documentary president Diane Weyermann. I SPCĪ 12-minute cut of that Siberian sequence was worth $1 million in financing from Participant Media, which backed 40 percent of the $2.6 million budget. The effect is hypnotic, haunting, and terrifying.
Kossakovsky improvised locations and shot without a script, trying to show the water’s POV.
AQUARELO FOR PC MOVIE
The movie has no narration to explain where you are, or what’s going on - just crashing Dolby Atmos Sound and a heavy-metal score from Finnish violinist/composer Eicca Toppinen. Kossakovsky chased stunning images of water around the globe, using Arri digital cameras that shoot at 96 frames per second (alas, only a few cinemas are able to project that format most will be 48 or 24). Pom Klementieff Tried to Bury Her ‘Guardians of the Galaxy Vol.
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